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TT Tsars

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Package offer: Save 37% on 4 styles
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TT Tsars

About font family

The TT Tsars font family is a collection of serif display titling fonts that are stylized to resemble the fonts of the beginning, the middle and the end of the XVIII century. The project is based on title fonts, that is, the fonts that were used to design book title pages. The idea for the project TT Tsars was born after a small study of the historical development of the Cyrillic type and is also based on Abram Shchitsgal’s book «Russian Civil Type».

At the very beginning of the project, we had developed a basic universal skeleton for the forms of all characters in all subfamilies of the family, and later on we added styles, visual features, artefacts and other nuances typical of the given period onto the skeleton. Yes, from the historical accuracy point of view it might be that such an approach is not always justified, but we have achieved our goal and as a result we have created perfectly combinable serifs that can be used to style an inscription for a certain time period.

The TT Tsars font family consists of 20 fonts: 5 separate subfamilies, each of which consists of 4 fonts. Each font contains 580 glyphs, except for the TT Tsars E subfamily, in which each font consists of 464 characters. Instead of lowercase characters in the typeface, small capitals are used, which also suggests that the typeface is rather a display than text one. In TT Tsars you can find a large number of ligatures (for Latin and Cyrillic alphabets), arrows and many useful OpenType features, such as: frac, ordn, sinf, sups, numr, dnom, case, onum, tnum, pnum, lnum, salt (ss01), dlig.

Time-related characteristics of the subfamilies are distributed as follows:
• TT Tsars A—the beginning of the 18th century (Latin and Cyrillic)
• TT Tsars B—the beginning of the 18th century (Latin and Cyrillic)
• TT Tsars C—the middle of 18th century (Latin and Cyrillic)
• TT Tsars D—the end of the 18th century (Latin and Cyrillic)
• TT Tsars E—conditionally the beginning of the 18th century (only Latin)

TT Tsars A and TT Tsars B families (both the beginning of the 18th century) have different starting points: for TT Tsars A it is Latin, for TT Tsars B it is Cyrillic. The development of the TT Tsars A family began in Latin, the font is based on the royal serif Romain du Roi. Cyrillic alphabet is harmoniously matched to the Latin. The development of the TT Tsars B family began in Cyrillic, which is based on a Russian civil type. Characteristic elements are the curved one-sided serifs of triangular characters (A, X, Y), drops appear in the letter Ж, the middle strokes В and P are adjacent to the main stroke. Latin was drawn to pair with Cyrillic. It is still based on the royal serif, but somewhat changed: the letters B and P are closed, and the upper bar of the letter A rose. This was done for the visual combination of Cyrillic and Latin and at the same time to make a distinction between TT Tsars A and TT Tsars B.

TT Tsars C is now the middle of the 18th century. Cyrillic alphabet itself did not stand still and evolved, and by the middle of the 18th century its forms have changed and become to look the way they are shown in this font family. Latin forms are following the Cyrillic. The figures are also slightly modified and adapted to the type design. In TT Tsars C, Cyrillic and Latin characters are created in parallel. A distinctive feature of the Cyrillic alphabet in TT Tsars C is the residual influence of the flat pen. This is noticeable in such signs as З, Ж, K. The shape of the letters Р, Ц, Щ, Э is very characteristic of the period. In the Latin alphabet, a characteristic leg appears at the letter R. For both languages, there is a typical C characterised by an upper serif and the appearance of large, even somewhat bolding serifs on horizontals (T, E, Г, L).

TT Tsars D is already the end of the 18th century, when with the development of printing, the forms of some Cyrillic characters had changed and turned into new skeletons of letters that we transposed into Latin. The figures were also stylized. In this font, both Cyrillic and Latin are stylistically executed with different serifs and are thus logically separated. The end of the century is characterized by the reduction of decorative elements. Straight, blueprint-like legs of the letters Я, R, K, Ж. Serifs are very pronounced and triangular. E and Э are one-sided on the middle horizontal line. A very characteristic C with two serifs appears in the Latin alphabet

TT Tsars E is a steampunk fantasy typeface, its theme is a Latinized Russian Сivil type (also referred to as Grazhdansky type which emerged after Peter the Great’s language reform), which includes only the Latin alphabet. There is no historical analogue to this typeface, it is exclusively our reflections on the topic of what would have happened if the civil font had developed further and received a Latin counterpart. We imagined such a situation in which the civil type was exported to Europe and began to live its own life.

Language support

Team

Ivan Gladkikh—head of the project
Marina Khodak—art director, lead type designer
Inessa Mitrozor—designer of the basic font
Nadezhda Polomoshnova—type designer
Nadyr Rakhimov—type designer
Victor Rubenko—hinting specialist

Release date

February 5, 2019

Additionally

Specimen

Download font specimen (pdf)

Poster Images

Graphic presentation at Behance

Custom version

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TT Tsars
Size
Otf
Turn on all

A collection of serif display titling fonts

TT Tsars
Size
Otf
Turn on all

The project is based on title fonts, that is, the fonts that were used to design book title pages. The idea for the project TT Tsars was born after a small study of the historical development of the Cyrillic type and is also based on Abram Shchitsgal’s book "Russian Civil Type".The TT Tsars font family consists of 20 fonts: 5 separate subfamilies, each of which consists of 4 fonts.

TT Tsars
Size
Otf
Turn on all

We had developed a basic universal skeleton for the forms of all characters

TT Tsars
Size
Otf
Turn on all

You can find a large number of ligatures (for Latin and Cyrillic alphabets)

OpenType features

salt | Stylistic Alternates

←↑→↓

←↑→↓

dlig | Discretionary Ligatures

LA OC

LA OC

onum | Oldstyle Figures

1638

1638

case | Case Sensitive Forms

({[H]})

({[H]})

Ideal font pairs with TT Tsars

What is a font pair, and what does it serve for?

A font pair is a combination of two fonts within one text block. Most often, one of the fonts in a pair is a more expressive headline font, and the other one serves to communicate information. Such fonts complement each other and help designers solve various tasks, like highlighting key elements, adding emotional expressiveness to the project, or separating semantic blocks.

How to choose fonts for a project: Several general recommendations

To begin with, establish the project's tone. Choose the fonts that stylistically match the main idea. After that, you need to determine the functions of each font in the project and their hierarchy: which font will complement the design and which one will serve to attract attention as the main element. You need to assess the difference between the fonts and decide what kind of information each of them should convey. First, we recommend choosing the base font you will use most, and then you can find a suitable pair for it.

Core principles of font pairing and recommendations from designers

The main rule you should follow when matching two fonts is that both similarities and differences must be visible between them. You can highlight the coherence of fonts by the following characteristics: contrast, proportions, width, openness of characters, individual letter shapes, and overall tone. Feel free to experiment with different combinations. We also recommend analyzing the projects you like: this way, you can enhance your visual skills, elevate your knowledge base, and gain confidence in dealing with typography.

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