TT Alientz
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Otf
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Var
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TT Alientz

TT Alientz
Size
Otf
Turn on all

Consequent transformation of the original forms†

TT Alientz
Size
Otf
Turn on all

Variable typeface that allows the user to make a visual journey from a laconic extraterrestrial grotesque to a very prickly display serif . Family consists of 3 fonts: grotesque, serif and variable font. Each font contains more than 470 glyphs, and also: stylish ligatures, contextual alternates, and old-style figures.

OpenType features

liga | Standard Ligatures

ff fi ffj

ff fi ffj

onum | Oldstyle Figures

1638

1638

case | Case Sensitive Forms

({[H]})

({[H]})

Basic Character Set

Basic Latin
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z a b c d e f g h i j k l m n o p q r s t u v w x y z
Cyrillic
А Б В Г Д Е Ё Ж З И Й К Л М Н О П Р С Т У Ф Х Ц Ч Ш Щ Ъ Ы Ь Э Ю Я Ѓ Ґ Ќ Є Ѕ І Ї Ј Љ Њ Ћ Ђ Ў Џ а б в г д е ё ж з и й к л м н о п р с т у ф х ц ч ш щ ъ ы ь э ю я ѓ ґ ќ є ѕ і ї ј љ њ ћ ђ ў џ
Extended Latin
Æ Đ Đ Ł Ø Œ Þ æ đ ð ı ł ß ø œ þ
Stylistic Alternates, Standard and Discretionary Ligatures
ff fi fj ft ffi ffj fft
Lining Figures, Currencies
0 1 2 3 4 5 6 7 8 9 ¤ $ ¥ £ ¢ ƒ
Old-style Figures
0 1 2 3 4 5 6 7 8 9
Punctuation, Symbols, Mathematical Symbols, Arrows
! ¡ ? ¿ « » . , : ; ... " ' | ¦ - _ \ / ( ) [ ] { } · * # § © ® @ & ° ^ - + < > ~ ¬ ± × ÷ % 1 2 3 4
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TT Alientz

Language support

Acehnese, Afar, Albanian, Alsatian, Aragonese, Arumanian, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Bosnian (lat), Breton, Bulgarian (cyr), Cebuano, Chamorro, Chiga, Colognian, Cornish, Corsican, Cree, Croatian, Czech, Danish, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Gagauz (lat), Galician, German, Gusii, Haitian Creole, Hawaiian, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Innu-aimun, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (lat), Karaim (lat), Karakalpak (lat), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Kurdish (lat), Ladin, Latvian, Laz, Leonese, Lithuanian, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Maori, Marshallese, Mauritian Creole, Minangkabau, Moldavian (lat), Montenegrin (cyr), Montenegrin (lat), Mordvin-moksha, Morisyen, Nahuatl, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Quechua, Rheto-Romance, Rohingya, Romanian, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Salar, Samburu, Samoan, Sango, Sangu, Scots, Sena, Serbian (cyr), Serbian (lat), Seychellois Creole, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Sorbian, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Swiss German, Tagalog, Tahitian, Taita, Tatar, Tetum, Tok Pisin, Tongan, Tsonga, Tswana, Turkish, Turkmen (lat), Ukrainian, Uyghur, Vepsian, Volapük, Võro, Vunjo, Walloon, Xhosa, Zaza, Zulu

Team

Sasha Denisov — head of the project
Vika Usmanova — lead type designer
Victor Rubenko — hinting specialist
Yuri Nakonechny —debug tester

Release date

November 6, 2019

About font family

TT Alientz is a variable* typeface that allows the user to make a visual journey from a laconic extraterrestrial grotesque to a very prickly display serif. As part of this project, we decided to investigate the influence of a foreign substance and the consequent transformation of the original forms, which ultimately leads to extreme visual changes.

The TT Alientz family consists of 3 fonts: grotesque, serif and variable* font. Each font contains more than 470 glyphs. In addition to broad language support (including Cyrillic), the typeface has stylish ligatures, contextual alternates, and old-style figures. Variability in the typeface affects the changes in the overall style of the font—moving the slider to adjust the variable axis, you can go from a laconic grotesque to an extreme serif.

TT Alientz Grotesque is a fairly neat hipster grotesque, but with its own small features. In the design of some letters of the grotesque you can find small sharp elements that add uniqueness and character to the font when used in large inscriptions and headings. At the same time, when you use the font in small size of the size and in text blocks, sharp elements do not greatly affect its readability. The design of some letters of the grotesque is quite peculiar and is intended to emphasize the initial concept of slight ‘alienness’.

TT Alientz Serif is an ‘infected’ TT Alientz Grotesque and the result of changes to it. Unlike the grotesque, the serif is dynamic, viscous, ductile and very prickly. Serif has a lot of smooth lines and not quite standard strokes contrast. It can be noted that most serifs in the antiqua are pointed inward, not outward. Despite its extremeness, the serif will look good both in large and in small body sizes.

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