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TT Ricordi Marmo

Single style: from $29 Full family: 3 styles from $48

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The license is suitable for anyone who plans to use the font in logo design, images for websites and social media, as well as in print media, souvenirs, and merchandise.

This license is purchased by the number of workstations on which a designer will use the font.

Desktop license is paid for once. Full license text

On request

If you plan to use the font in headings or text blocks on your project site, choose this commercial font license.

Purchase price depend on the number of site visits per month.

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When choosing a license, we do not count the number of application downloads, but focus only on the number of created applications.

App license is paid for once. Full license text

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Suitable for placing banners, digital ads and posters on the Internet, as well as for advertising on social media.

The license options differ depending on the number of ad impressions.

Digital Ads license is paid for once. Full license text

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Suitable for those who will be using the font in e-books, magazines, interactive PDFs, or other publications.

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TT Ricordi Marmo

About font family

TT Ricordi Marmo extends the series of experimental projects within the TT Ricordi font collection. The essence of these projects is to find hidden gems in inscriptions carved into old plaques and stones and bring them back to life in the form of modern typefaces under the name of TT Ricordi.

TT Ricordi Marmo is an original experimental project by Eugene Tantsurin inspired by inscriptions at Basilica di Santa Croce in Florence. While working on this project, we aimed to design a modern font that would feature the elements of a Florentine sans serif combined with more traditional visual solutions typical of serifs from that era. As a result, we have an eye-catching and a little provocative typeface with irregular serif distribution, unusual contours, and a free spirit.

In small point sizes, TT Ricordi Marmo makes a neutral impression, but as the size gets bigger, the user is taken on a playful quest to search for graphic peculiarities and unusual, inventive solutions. TT Ricordi Marmo is an excellent choice for poster design, packaging, and setting large and medium-sized short texts. Due to its unconventional character and versatility, the typeface will look equally great on a poster for a grand academic theater and an announcement of an acid rave party.

TT Ricordi Marmo includes a set of icons that can be used in several ways. There are decorative patterns that can substitute letters, adding a distinctive graphic element to the caption. Besides, these patterns serve to construct borders and interval marks or can be used as individual icons. All patterns are perfectly adapted to suit the letterform designs in the font.

TT Ricordi Marmo consists of 2 font styles and one variable font. Each font style contains over 630 glyphs and 18 OpenType features. Since we considered TT Ricordi Marmo a poster font from the beginning, lowercase characters are replaced with small caps. In addition, the typeface includes a set of peculiar ligatures, stylistic alternates, pointers, hands, and decorative icons.

200+ Language support

+ extended writing system Show all

Team

Eugene Tantsurin—idea and type design
Yulia Gonina—art director
Ivan Gladkikh—technical director, kerning
Yuri Nakonechny—mastering
Victor Rubenko—font hinting

Release date

August 13, 2021

Additionally

Specimen

Download font specimen (pdf)

Poster Images

Graphic presentation at Behance

Custom version

Looking for a custom version of this font?

200+ Language support

+ extended writing system
TT Ricordi Marmo
Size
Otf
Turn on all

A bright and provocative typeface with irregular serif distribution

TT Ricordi Marmo
Size
Otf
Turn on all
Var
Weight

TT Ricordi Marmo is an original experimental project by Eugene Tantsurin inspired by inscriptions at Basilica di Santa Croce in Florence. Working on it, we wanted to create a contemporary typeface which would unite the elements of a Florentine sans-serif mixed with more traditional visual solutions typical for the period’s serifs. As a result, we got a bright and somewhat provocative typeface with some unusual contours and a free spirit.

OpenType features

ss01 | Alternative latin E

Ee

Ee

ss02 | Alternative Eszett

ß

ß

ss03 | Alternative Cyrillic I

Ии

Ии

ss04 | Alternative Ampersand

&

&

dlig | Discretionary Ligatures

CT LA

CT LA

case | Case Sensitive Forms

({[H]})

({[H]})

Ideal font pairs with TT Ricordi Marmo

What is a font pair, and what does it serve for?

A font pair is a combination of two fonts within one text block. Most often, one of the fonts in a pair is a more expressive headline font, and the other one serves to communicate information. Such fonts complement each other and help designers solve various tasks, like highlighting key elements, adding emotional expressiveness to the project, or separating semantic blocks.

How to choose fonts for a project: Several general recommendations

To begin with, establish the project's tone. Choose the fonts that stylistically match the main idea. After that, you need to determine the functions of each font in the project and their hierarchy: which font will complement the design and which one will serve to attract attention as the main element. You need to assess the difference between the fonts and decide what kind of information each of them should convey. First, we recommend choosing the base font you will use most, and then you can find a suitable pair for it.

Core principles of font pairing and recommendations from designers

The main rule you should follow when matching two fonts is that both similarities and differences must be visible between them. You can highlight the coherence of fonts by the following characteristics: contrast, proportions, width, openness of characters, individual letter shapes, and overall tone. Feel free to experiment with different combinations. We also recommend analyzing the projects you like: this way, you can enhance your visual skills, elevate your knowledge base, and gain confidence in dealing with typography.

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