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TT Interphases

TT Interphases

TT Interphases

Based on the positive experience in creating typefaces such as TT Norms Pro and TT Commons, we once came up with the ambitious idea of trying to create the perfect typeface to work in modern interfaces on most known mobile and web platforms.

TT Interphases

We took this project very seriously and, before proceeding with the design itself, we carried out rather extensive research work. You can learn the detailed history of the typeface creation in the article, and here we will tell you what we got in the end.

TT Interphases

TT Interfaces consists of 24 styles: 18 styles in the basic family, 4 monospaced fonts, and 2 variable fonts.

TT Interphases

The main visual features of TT Interfaces include the open aperture of the characters, the uniform distribution of white and black, as well as excellent readability.

TT Interphases

The general neutrality of the font pattern is not without elegance, and all the details of the typeface are made with mathematical precision and love.

TT Interphases

In addition, TT Interfaces has the most advanced manual TrueType hinting.

TT Interphases

The general neutrality of the font pattern is not without elegance, and all the details of the typeface are made with mathematical precision and love.

TT Interphases

The quick brown fox jumps over the lazy dog

TT Interphases

The quick brown fox jumps over the lazy dog

TT Interphases

The quick brown fox jumps over the lazy dog

TT Interphases

The quick brown fox jumps over the lazy dog

TT Interphases

The quick brown fox jumps over the lazy dog

TT Interphases

The quick brown fox jumps over the lazy dog

TT Interphases

The quick brown fox jumps over the lazy dog

TT Interphases

The quick brown fox jumps over the lazy dog

TT Interphases

The quick brown fox jumps over the lazy dog

TT Interphases

The quick brown fox jumps over the lazy dog

TT Interphases

The quick brown fox jumps over the lazy dog

TT Interphases

The quick brown fox jumps over the lazy dog

TT Interphases

The quick brown fox jumps over the lazy dog

TT Interphases

The quick brown fox jumps over the lazy dog

TT Interphases

The quick brown fox jumps over the lazy dog

TT Interphases

The quick brown fox jumps over the lazy dog

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OpenType features

Stylistic Alternates

Stylistic Alternates — Either replaces with, or displays list of, stylistic alternatives for a character

Jayl

Jayl

Standard Ligatures

ff fi ffj

ff fi ffj

Discretionary Ligatures

1⁄2 2⁄3 3⁄5

1⁄2 2⁄3 3⁄5

Oldstyle Figures

1638

1638

Case Sensitive Forms

({[H]})

({[H]})

Basic Character Set

Basic Latin
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z a b c d e f g h i j k l m n o p q r s t u v w x y z
Basic Cyrillic
А Б В Г Д Е Ё Ж З И Й К Л М Н О П Р С Т У Ф Х Ц Ч Ш Щ Ъ Ы Ь Э Ю Я Ѓ Ґ Ќ Є Ѕ І Ї Ј Љ Њ Ћ Ђ Ў Џ а б в г д е ё ж з и й к л м н о п р с т у ф х ц ч ш щ ъ ы ь э ю я ѓ ґ ќ є ѕ і ї ј љ њ ћ ђ ў џ
Extended Latin
Ǻ Æ Ǽ Đ Đ Ħ Ł Ŋ Ø Ǿ Œ Þ Ŧ Ʉ Ə ǻ æ ǽ đ ð ħ ı ł ʼn ŋ ß ø ǿ œ þ ŧ ʉ ə
Extended Cyrillic
Ӓ Ѐ Ә Ӧ Ө Ҫ Ӂ Җ Ѝ Ӣ Ғ Ҕ Ӡ Қ Ҝ Ң Ү Ұ Ӯ Ӱ Ҳ Ҹ Ҷ Һ ӓ ѐ ә ӧ ө ҫ ӂ җ ѝ ӣ ғ ҕ ӡ қ ҝ ң ү ұ ӯ ӱ ҳ ҹ ҷ һ
Stylistic Alternates, Standard and Discretionary Ligatures
0 1 6 9 J a ǻ l ł y ў ӯ ff fi fl fj ffi ffl ffj 1⁄2 1⁄3 1⁄4 1⁄5 1⁄6 1⁄8 2⁄3 2⁄5 3⁄4 3⁄5 3⁄8 4⁄5 5⁄6 5⁄8 7⁄8
Lining Figures, Currencies
0 1 2 3 4 5 6 7 8 9 ¤ $ ¥ £ ¢ ƒ
Old-style Figures
0 1 2 3 4 5 6 7 8 9
Punctuation, Symbols, Mathematical Symbols, Arrows
! ¡ ? ¿ « » . , : ; ... " ' | ¦ - _ \ / ( ) [ ] { } · * # § © ® @ & ° ^ - + < > = ~ ¬ ± × ÷ % l Ω μ
Show all

Language support

Albanian, Basque, Belarusian, Bosnian, Breton, Corsican, Croatian, Czech, Danish, English, Estonian, Faroese, Filipino, Finnish, French, Gaelic, German, Hungarian, Icelandic, Indonesian, Irish, Italian, Latvian, Lithuanian, Macedonian, Moldavian, Norwegian, Polish, Portuguese, Romanian, Russian, Sámi (Southern, Lule), Serbian, Slovak, Slovenian, Spanish, Swahili, Swedish, Turkish, Turkmen (Latin), Ukrainian, Zulu and many others.

Team

Ivan Gladkikh — head of the project
Yulia Gonina — project manager
Pavel Emelyanov — art director, designer of the basic font
Marina Khodak — lead type designer, technical project manager
Kseniya Karataeva —type designer, author of the monospace subfamily
Nadezhda Polomoshnova — type designer, designer of the icons
Nadyr Rakhimov — type designer, technical engineer
Victor Rubenko — technical engineer, programmer, hinting specialist
Yuri Nakonechny — technical engineer, debug tester

Release date

17 Sep 2019

About font family

Based on the positive experience in creating typefaces such as TT Norms Pro and TT Commons, we once came up with the ambitious idea of trying to create the perfect typeface to work in modern interfaces on most known mobile and web platforms. We took this project very seriously and, before proceeding with the design itself, we carried out rather extensive research work.

You can learn the detailed history of the typeface creation in the article by the link, and here we will tell you what we got in the end. TT Interphases consists of 22 styles: 18 styles in the basic family, 4 monospaced fonts. The main visual features of TT Interphases include the open aperture of the characters, the uniform distribution of white and black, as well as excellent readability. The general neutrality of the font pattern is not without elegance, and all the details of the typeface are made with mathematical precision and love. In addition, TT Interphases has the most advanced manual TrueType hinting.

The basic TT Interphases family consists of 18 styles (9 weights and 9 oblique), in each of which there are more than 930+ glyphs. In the typeface you can find old-style figures, stylistic alternates, mathematical signs, as well as 100 universal icons divided into five thematic groups: basic actions, states, sections of the site, documents and folders, mobile interface. TT Interphases supports more than 180 languages based on extended Latin and Cyrillic, including Bulgarian localization.

TT Interphases Mono is a complementary family of 4 styles (2 upright and 2 oblique), each of which consists of 740+ glyphs. We intentionally changed the sign composition of the Mono subfamily—we added special characters to the encoding and removed everything that was not needed (for example, ligatures). Although Mono borrowed the basic style-forming aspects of the main family, for example, the openness of the aperture or the degree of rounding of the circles, but due to the monospace, it adds some of his own character. First of all, this difference can be found in the changed design of signs, in noticeable visual compensators, as well as in italics, whose design is made in a more humanist way.

Buying options

Additionally

Specimen

Download font specimen (pdf)

Trial fonts

Simply ask for trial fonts

Poster Images

Graphic presentation at Behance

Custom version

Looking for a custom version of this font?

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