top_banner_ttneorispro0426
Type foundry Blog Serif vs Sans serif: Font differences

Serif vs Sans serif: Font differences

Serif vs Sans serif: Font differences

Go to the websites of your three favorite brands and try to analyze what emotions they evoke. Whether it’s clothing or shoes, cars or electronics, cosmetics or accessories, every company has a secret: they want to be part of your life.

Serif vs Sans serif: Font differences

The emotions that these things evoke, the lifestyle they are associated with are an integral part of branding.

When you open a company’s website for the first time, you do not yet know its history, product quality and prices. You see the information, but you have not yet had the time to read it. However, associations have already arisen, and the reason for this is the font used by the brand.

Why choosing a suitable font is important

The font is the voice of the brand. As with the voice, words convey information, but emotions are caused by how exactly and with what intonation the interlocutor pronounces them, or, in the case of the font, what typeface these words are set in.

People learn how to use their voice professionally to make the right impression on others and influence their perception of what is said, brands use typefaces for this. Budget or expensive, modern or classic, eco-friendly or technological – the font will convey this.

Why choosing a suitable font is important

Choosing the right font helps win over an interested audience before they get to know the company’s products. However, if you choose the wrong typeface, you can evoke conflicting emotions that will lead to no brand engagement.

It’s like when a person tries to confidently talk about themselves or their achievements, but you feel confused, as if you are being deceived. Perhaps what gives them away is that their voice trembles or intonations are inappropriate.

For a font to convey the necessary associations and harmonize with the brand’s position, it is important to pay due attention to the choice of the appropriate typeface.

Most important serif facts

Contemporary typography provides a lot of fonts for designers to choose from, but they all fall into several basic categories. The most popular ones are serifs and sans serifs – they are used by most modern brands, including the largest ones.

Most important serif facts

It is quite easy to spot serif fonts – these are the fonts in which letters have serifs.

Most important serif facts

Serif is a broad category of fonts, which in turn is divided into subcategories. Basically, there are four types of serif fonts: old-style, transitional, new-style and slab serifs. They differ from each other in the shape of the serifs, the contrast, and the slope of the ovals.

Most important serif facts

You can read more about typefaces in Robert Bringhurst’s Elements of Typographic Style or have a look at a more modern and concise classification of fonts in Letter Fountain by Taschen.

Most important serif facts

When to choose a serif

One can safely say that the printing industry is the widest area of use for serif fonts. Most of books and magazines, brochures and posters are set in serifs. Such typefaces are eye-catching and can look elegant and graceful, which is why they are often used by those associated with the arts, such as organizers of exhibitions and film festivals.

When to choose a serif

Serif fonts can be quite versatile given the variety of typefaces. However, you should choose a serif carefully, carefully analyzing what emotions the font evokes.

It is worth noting that such fonts are often produced as broad families, that is, several styles and even categories are included in one font. Most frequently, in one typeface there is a display serif with a more expressive character and a text serif with more neutral characteristics.

When to choose a serif

A display serif is suitable for use in headings or large inscriptions, so its character is more readable and decorative elements are more visible. A text serif is paired with a display one, it can be used to set large text arrays, because such a font has good readability and a more neutral character. There may be more subfamilies, depending on the scope of the font. For example, in TT Livret from TypeType studio there are three subfamilies: display, text, and subtitle. By expanding the number of fonts, studios make it possible to use one typeface for different tasks.

What a serif font can convey about a brand

Serifs are more often chosen by brands whose principles are based on respect for traditions and history. Serif fonts are more likely to evoke the feeling of a classic and calm brand, but can also signal status and elegance.

What a serif font can convey about a brand

Traditional media, high fashion magazines and luxury brands often turn to serifs. They are ideal for companies that take pride in nurturing and developing their brand over the years, improving quality while maintaining the core principles. Serifs evoke a feeling of reliability and security, so they can be used in banking or medical fields.

Serif design examples

To better understand associations that serifs evoke, let’s turn to famous brands that chose serif fonts.

Serif design examples
Tiffany&Co, Vogue, The New York Times

Most important sans serif facts

Sans serifs are in many ways the exact opposite of serifs. If a serif font is easy to identify by serifs, then the sans serifs are easily identified by their absence. These are concise fonts with a wide use scope. Rest assured that most of the sites you view use sans serifs. Moreover, in the course of rebranding, global brands are more likely to replace their old typeface with a sans serif.

Sans serifs look simple and neat, which is why they are considered universal fonts in typography. Like serifs, sans serifs are divided into subcategories. These are the old, neo-grotesque, humanist, and geometric sans serifs.

Most important sans serif facts

Like serifs, sans serifs can be produced in broad families including display and text fonts. Often, families are expanded after the release of the font, supplemented by new subfamilies. For example, TT Norms® and TT Commons™, two of TypeType’s best-selling fonts, have already had several expansions. In addition to text and display fonts, the families were replenished with Condensed and Expanded versions and even monospaced fonts.

Most important sans serif facts

When to choose a sans serif

Sans serifs can be used almost everywhere thanks to their neutrality and conciseness. Websites, e-catalogs, presentations, and mobile applications are often set in sans serifs. You can find them on the signs of shops and restaurants, in printed materials and in packaging design.

When to choose a sans serif

Of course, sans serifs are the favorite of most modern designers.

What a sans serif font can convey about a brand

Modernity, lightness, understanding of trends and openness to connection – this is what most people read when they see a sans serif on the site of their favorite brand.

When developing sans serifs, type designers refuse to use serifs, and when choosing sans serifs, brands bring down extra walls in communication with the audience. Brands that choose sans-serif fonts want to be closer to their consumers, harmoniously becoming a part of their lives.

What a sans serif font can convey about a brand

Technological prowess and experimentalism, rejection of unnecessary conventions, enjoyment of the moment – these are the messages that sans serifs also add to brand positioning.

Sans serif design examples

Get to know sans serifs better by having a look at the examples of use of sans serif fonts in contemporary designs.

Sans serif design examples
Chanel, Apple, Google

Main differences between serifs and sans serifs

The most obvious differences between serifs and sans serifs are the serif elements. They are a must for serif fonts, and they must be abscent in sans serifs. But only this difference is not enough to understand in which section to look for a font for your project.

The visual differences between these typefaces can be noticed even without focusing on the serifs. Sans serifs look more concise and neater also thanks to the low contrast in font thickness. In serifs, the thinnest areas may be drastically different from thick ones, which is especially noticeable in display serifs.

Main differences between serifs and sans serifs

The contrast between uppercase and lowercase characters also differs. It is minimal in sans serifs, due to which a printed text looks neutral, while in serifs, the contrast might be much higher. However, modern text serifs might be low contrast.

Main differences between serifs and sans serifs

Associations that serifs and sans serifs evoke are also different. Serif fonts are more often described as classical, refined, or stern, while sans serifs are called minimalist, simple, and neat.

How to decide on a font

To find a font that reflects brand values, you need to define what you want to convey to your audience. Given all the diversity of modern typography, your choice might be surprising. Increasingly more often, font studios release fairly neutral serifs or sans serifs with pronounced character.

How to decide on a font

To have a better idea of what font might be suitable for a project, try studying the examples of other companies and paying attention to the associations that a font evokes. For example, modern young brands emphasising ecological aspects and technology might find a sans serif with its concise properties more suitable. A serif will look fitting in companies emphasising their long history and traditions or targeting the feeling of reliability and stability.

Simultaneous use of serifs and sans serifs

Sometimes when choosing a font, designers have an idea of using several fonts at once, one of which may be a sans serif and another one a serif. In reality, this choice rarely occurs, especially if the fonts have different natures.

Simultaneous use of serifs and sans serifs

It is safest to use a serif and a sans serif from the same typeface because these faces are created as a font pair. For example, in the TypeType catalog you can choose TT Norms® Serif, which was developed as a part of the large family TT Norms®, a geometric serif with a neutral character.

Stereotypes about serifs and sans serifs

“A sans serif is a boring font associated with dull office presenations, and a serif can’t be modern and will make the brand feel outdated” – these are the stereotypes which are still present today.

Stereotypes about serifs and sans serifs

However, font designers work hard to bust these myths and release modern beautiful serifs and stylish sans serifs with malleable nature. The most important thing is to find the one and only font that fits the brand perfectly among the multitude of all fonts.

Final choice

Typography is developing and makes designers happy with the huge number of fonts released. Sometimes the most difficult thing is to not get lost in this abundance and to understand what the right choice is.

We hope this article will become a guide and make the search for a font clearer and more exciting.

Final choice

FAQ

What is the main difference between serif and sans serif fonts?

Serif (Antiqua) refers to fonts with small decorative strokes at the ends of letters (serifs). Sans Serif (Grotesque) refers to fonts without these strokes; in comparison, they often look more concise and neutral.

Which fonts are considered serif and which are sans serif?

Serifs are fonts with “feet” that look classic and traditional. Sans Serifs are fonts without these details, characterized by a modern and strict look. The main visual difference is the presence or absence of small strokes at the ends of the letters.

When is it better to use serif fonts vs sans serif fonts?

Serifs are often used for print: books, magazines, posters; they can be elegant and noticeable. Sans Serifs often work in the digital environment—most websites use them.

How do serif and sans serif fonts affect brand perception?

Serifs are usually read as classic, traditional, status-oriented, and elegant, sometimes conveying reliability and safety. Sans Serifs are more often perceived as minimalist, simple, and neat.

Can serif and sans serif fonts be used together in one design?

You can, but it is a rare scenario to pull off well, especially if the fonts have different characters. It is safer to take a Serif and Sans Serif created as a pair within one family, for example, TT Norms® Pro and TT Norms® Pro Serif.

What are common misconceptions about serif and sans serif fonts?

There is a myth that Sans Serif is «boring and corporate,» while Serif «cannot be modern» and makes a brand look outdated. However, the designer’s task is not to believe labels, but to find the typeface that fits the brand precisely.

Which fonts are easiest to read in print and on screen?

Most often, Serifs are used in print (books, magazines), and Sans Serifs on screens (most websites). But the specific typeface decides: contrast and the general “neutrality” of the text are important.

Are serif fonts better for formal documents?

For official documents, serif fonts (like Times New Roman, Georgia) look traditional and academic, especially in print. However, modern standards increasingly allow strict sans serifs (Arial, Calibri) for better readability in digital formats. The key rule is to follow the established corporate template or style guide.

What are some examples of popular serif and sans serif fonts?

Popular fonts include TypeType typefaces: Serifs—TT Livret, TT Bells, TT Regins; Sans Serifs—TT Norms® Pro, TT Commons™ Pro, TT Turns. As a neat pair in one style, you can use TT Norms® Pro and TT Norms® Pro Serif.

How do I choose the right font for my project?

First, consider what values and associations should be read from your project, and check examples in similar projects. Then choose between a concise Sans Serif and a «historic» Serif based on the required mood and appropriateness.

Latest publications

What is a Font Family? Definition, Types, and Examples
Work with fonts

In this article, we will break down the font family definition, explore what types of font families exist, explain how a family differs from a font and a typeface, detail what is included in a font family, and guide you on how to make the best choice for a website, UI interface, and brand.

Typography in Figma: Variables, Tokens and Design Systems
Work with fonts

The larger the project, the more noticeable the price of chaos. On a simple landing page, you can manually fix a couple of headings. In an app with hundreds of screens, multiple platforms, different modes (like light/dark themes), and localizations, this approach quickly breaks down. One designer changes the size of a caption, another creates a local style, a third manually tweaks the line height—and within a month, the team no longer understands which values are actually systemic. A systematic approach to typography in Figma is crucial: it helps not only to craft an amazing layout but also to make the design solid and sustainable in real production. In this article, we explore the capabilities of working with typography in Figma, break down the core concepts, and provide practical examples.

Why Unique Fonts Matter Even in the Age of AI-Generated Design
Work with fonts

AI-generated fonts make design faster than ever — but speed doesn’t equal uniqueness. Discover why custom typography, bespoke typefaces, and strategic font design remain essential for brand identity, authenticity, and competitive advantage in the AI era.

IP Protection as an Art: TypeType’s Flexible Licensing Control Strategy
Work with fonts

Drawing on their own experience, the specialists at TypeType explain how type foundries and designers can stop unlicensed use of their products and get additional revenue while avoiding reputational risk. In TypeType’s professional experience the popularity of a typeface is linked to the fact that it will be more likely used without an appropriate license—despite the fact that developing a single family can take years of meticulous work. We covered how font licensing works in detail here.

Font Research: An Expert Approach to Brand Typography
Work with fonts

Among TypeType Studio’s services, we offer typeface system research. Why do brands need such research, and how does it help them develop? How is it conducted? What does the research include, and how are the results interpreted? We answer these questions and show how it works in practice using the financial segment as an example.

TypeType’s Year in Review: Looking Back at 2025
TypeType news

2025 was an incredibly productive year for TypeType: we released 7 new fonts, updated 14 typefaces, and added Arabic language support to two of our bestsellers. In addition, we won awards in type design competitions, explored new platforms, improved our website, wrote about type design in our blog, gave lectures, met with you at webinars, and created joint projects with friends and partners.

Typography in the Museum: How We Developed the Corporate Typeface for the Hermitage
Corporate fonts Font creation

The TypeType team, with the support of the Mantera Group, has created a new font family for the State Hermitage Museum—the Hermitage Type Family. The typeface will be used across all of the Hermitage’s digital content; you can already see it on the website and the updated launch page of the mobile version. And this is just the beginning of a major overhaul of the museum’s digital identity, in which the new font will play a pivotal role.

Proxima Nova Font: Alternatives, Pairings, and the Secrets of Its Popularity
TypeType fonts Work with fonts

Proxima Nova is one of the most recognizable sans-serif fonts in modern design. In this article, we’ll explore the history of the Proxima Nova font family, its graphic characteristics and composition, figure out what fonts go with Proxima Nova, what its best alternatives are, and what license you need to use it.

See more

Grow and divide: Creating a font for the G8 festival
Font customization

Creative industries festival G8 has presented its 2022 visual identity. The associations that immediately come to mind are the unity of nature and people, cell division, and organics.
The «grow and divide» principle was guiding the creation of the corporate visual identity created by a large team. The font design studio TypeType is one of the participants in the creative process of making the font and logo.

Expansion of the TT Hoves Pro family
Font creation TypeType fonts

TT Hoves is the youngest font in the collection of universal geometric sans serifs. It forms a functional trio with TT Norms® and TT Commons™, yet has its own recognizable character.
The TT Hoves font has managed to win the sympathy of designers from all over the world. The font family has been among the studio’s bestsellers since its release on marketplaces, and yet it’s time to update the typeface!

Creation of a modern serif TT Livret
Font creation TypeType fonts

It sometimes happens that on paper, a new font seems to be a relatively simple and quick task, but as a result of the work, it turns into one of the largest projects of recent years. Today’s story is about just such a font.

Creation of TT Commons™: From the foundry’s corporate typeface to a bestseller
Font creation TypeType fonts

The TT Commons™ Pro font family needs no introduction as it has been TypeType’s best-seller for many years now. These are not just words — since 2018, the font family has been a bestseller for 93% of the time it has been on the sites.
TT Commons has a fascinating history, because it was created in 2016, and back then it was not supposed to be released as a commercial font at all.

TT Norms® Pro: a 8-year history of the font family
Font creation TypeType fonts

TT Norms Pro is one of the most sought-after typefaces in the TypeType collection. More than three reissues in 8 years, first lines in MyFonts ratings, dozens of customizations and reviews.
It’s hard to put into words what a valuable experience this font has been for everyone at the foundry, but we will try to tell its full story, with all its dead ends and mistakes, with the first victories and a massive redrawing process.

Felliniana: Font Mastering for the Venice Film Festival
Font mastering

A font is a work of art. Many designers think so, but we will talk not about the industry as a whole but about a specific font which is of interest for art lovers. It has all that is necessary: a beautiful creation story, aesthetics, and line flow. The Italian font designer Antonio Pace created the font for the Capelli Identity Design studio, and TypeType transformed their creation into a functional work instrument.

OT L22: Mastering a Font for the Legendary Typewriter’s 70th Anniversary
Font mastering

Technical work on a new typeface by third-party designers always arouses professional curiosity. Especially when it comes to working with fonts for brands with a world-famous history.
Olivetti is an Italian company whose name inspired admiration and respect in the 20th century, especially among journalists and writers.