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TT Firs Neue
23 styles
Type foundryFonts & StylesVariableTT Firs Neue

TT Firs Neue

TT Firs Neue is a balanced sans serif with Scandinavian influence. It is expressive yet restrained, offering both character and versatility.
Single style: from $47.99
Full family: from $389 23 styles

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per style $16.91
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23 styles
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from $47.99
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Package offer:
per style $14.95
from  $329
22 styles
from  $329
from $47.99
from $47.99
from $47.99
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1 style
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TT Firs Neue
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TT Firs Neue—scandinavian grotesque with unique graphic elements

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TT Firs Neue 2.0 has its origins in 2015, when we decided to release a scandinavian-style sans serif font family called TT Firs. Three years later in 2018, we rethought and released a new version of the font family called TT Firs Neue. More pronounced display elements, larger lowercase characters, and an expanded character set are just some of the features of the new family. In 2023, after a resounding success, we created TT Firs Neue anew. There are more typefaces & letters, the character set has doubled, the contours and the opentype features are better quality.

TT Firs Neue
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Geometric, distinctive, unique, universal

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We created completely new Italics

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ECO-LIFE figural (45)

TT Firs Neue in design

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Description

About font family TT Firs Neue
230+ Language support

Introducing TT Firs Neue version 2.000 — a next-generation Scandinavian sans serif!

TT Firs Neue is a well-balanced Scandinavian sans serif with a distinctively robust Nordic character. It’s a recognizable and appealing font that blends expressive graphic elements with versatile application. Since its release, the typeface has gained immense popularity among designers, leading us to reissue it twice in our pursuit of perfection. We shared the detailed story of TT Firs Neue’s creation and evolution in our article.

Before working on this update, we conducted extensive visual research to enhance the appeal of its distinctive details and to make the font’s character even more harmonious. As a result, the ink traps in the font follow a consistent logic, and the shapes of rounded letterforms and glyphs with bowls are uniform across all styles. Characters with diagonals, triangular glyphs, and terminals also adhere to this unified design logic. The font looks consistent and stylistically refined.

We also conducted research into Scandinavian languages, which helped us create authentic ligatures and diacritical sets that will be genuinely useful for designers. Diacritics, numerals, and punctuation marks follow a consistent design logic, contributing to the font’s harmonious visual perception.

TT Firs Neue supports a large number of useful OpenType features, including alternate glyph shapes. The typeface also includes a variable font, which varies along two axes: weight and slant. All this allows designers to tailor the font to their specific needs, revealing new facets of its versatility.

TT Firs Neue is a bestselling font that enjoys great popularity, including in European branding. It can be seen in museums, architectural firms, and coffee shops—it fits perfectly with the Scandinavian aesthetic. TT Firs Neue can be used for headlines or text excerpts and is well-suited for branding or web use. It looks aesthetically pleasing on podcast covers or video thumbnails, in shop window displays and signage, and is ideal for creating brand identities and packaging design.

TT Firs Neue 2.000 includes:

  • 23 styles: 11 uprights, 11 italics, and 1 variable font that varies along two axes (weight and slant)
  • 1,719 glyphs per style
  • 40 OpenType features
  • Support for 235 languages

TT Firs Neue — stylish minimalism with a distinct Scandinavian flair.

Team

Marina Khodak
Antonina Zhulkova
Yulia Gonina
Yuriy Nakonechny
+ TypeType Team

Release and update date

Release: 16 October, 2018

Last update: 18 July, 2023

Additionally

Specimen

Download font specimen (pdf)

Poster Images

Graphic presentation at Behance

Custom version

Looking for a custom version of this font?

+ extended writing system Show all

Character Set

Basic Latin Basic Cyrillic Extended Latin Extended Cyrillic Punctuation, Symbols, Mathematical Symbols, Arrows
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z a b c d e f g h i j k l m n o p q r s t u v w x y z
А Б В Г Д Е Ё Ж З И Й К Л М Н О П Р С Т У Ф Х Ц Ч Ш Щ Ъ Ы Ь Э Ю Я Ѓ Ґ Ќ Є Ї Љ Њ Ћ Ђ Ў Џ а б в г д е ё ж з и й к л м н о п р с т у ф х ц ч ш щ ъ ы ь э ю я ѓ ґ ќ є ї љ њ ћ ђ ў џ
À Á Ă Â Ǎ Ä Ā Ą Å Ǻ Ã Æ Ǽ Ć Č Ç Ĉ Ċ Ď Đ Đ DZ Dz È É Ě Ê Ë Ė Ē Ĕ Ę Ğ Ģ Ĝ Ġ Ǵ Ǧ Ĥ Ħ Ȟ Ì Í Î Ï İ Ī Į Ĭ Ĩ Ĵ Ķ Ĺ Ľ Ļ. Ł L J L j Ń Ň Ņ Ñ N J N j Ŋ Ò Ó Ô Ö Ő Ō Õ Ŏ Ø Ǿ Œ Þ Ŕ Ř Ŗ Ś Š Ŝ Ş Ș Ť Ţ Ț Ŧ Ù Ú Û Ü Ű Ū Ŭ Ų Ů Ʉ Ǔ Ũ Ə Ŵ Ý Ŷ Ÿ Ȳ Ź Ž Ż IJ ÍJ à á ă â ǎ ä ā ą å ǻ ã æ ǽ ć č ç ĉ ċ ď đ ð dz è é ě ê ë ė ē ĕ ę ğ ģ ĝ ġ ǵ ǧ ĥ ħ ȟ ì í î ï ı i ī į ĭ ĩ ȷ ĵ ķ ĺ ľ ļ ł l j ḿ ń ň ņ ñ n j ŋ ß ò ó ô ö ő ō õ ŏ ø ǿ œ þ ŕ ř ŗ ś š ŝ ş ș ť ţ ț ŧ ù ú û ü ű ū ŭ ų ů ʉ ǔ ũ ə ŵ ý ŷ ÿ ȳ ź ž ż ij íj
Ӑ Ғ Ғ Ѐ Ӗ Җ Ӝ Ҙ Ҙ Ӟ Ѝ Ӣ Ӥ Ӏ Қ Ҡ Ң Ӧ Ө Ә Ҫ Ҫ Ҫ Ӯ Ӳ Ү Ұ Ҳ Ҷ Ӵ Һ ӑ ғ ғ ѐ ӗ җ ӝ ҙ ҙ ӟ ѝ ӣ ӥ ӏ қ ҡ ң ӧ ө ә ҫ ҫ ҫ ӯ ӳү ұ ҳ ҷ ӵ һ
+ = ~ ¬ ± × ÷ % μ ! ¡ ? ¿ « » . , : ; . .. " ' | ¦ - _ / ( ) [ ] { } · * # § © ® @ & ° ^

OpenType features

Alternative G

GǴĞ

GǴĞ

Low-set diacritics

Á Ǿ Ṕ

Á Ǿ Ṕ

onum | Oldstyle Figures

1638

1638

dlig | Discretionary Ligatures

OC LI

OC LI

case | Case Sensitive Forms

({[H]})

({[H]})

Ideal font pairs with TT Firs Neue

What is a font pair, and what does it serve for?

A font pair is a combination of two fonts within one text block. Most often, one of the fonts in a pair is a more expressive headline font, and the other one serves to communicate information. Such fonts complement each other and help designers solve various tasks, like highlighting key elements, adding emotional expressiveness to the project, or separating semantic blocks.

How to choose fonts for a project: Several general recommendations

To begin with, establish the project's tone. Choose the fonts that stylistically match the main idea. After that, you need to determine the functions of each font in the project and their hierarchy: which font will complement the design and which one will serve to attract attention as the main element. You need to assess the difference between the fonts and decide what kind of information each of them should convey. First, we recommend choosing the base font you will use most, and then you can find a suitable pair for it.

Core principles of font pairing and recommendations from designers

The main rule you should follow when matching two fonts is that both similarities and differences must be visible between them. You can highlight the coherence of fonts by the following characteristics: contrast, proportions, width, openness of characters, individual letter shapes, and overall tone. Feel free to experiment with different combinations. We also recommend analyzing the projects you like: this way, you can enhance your visual skills, elevate your knowledge base, and gain confidence in dealing with typography.

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