Web and printing in typography are two different worlds. At least, they are often presented this way. In reality, many typefaces can be used in both domains. To understand what typeface to choose, it is important to know the differences between book fonts and web fonts. This article covers the topic of fonts for books and how to choose the best typeface for book design, magazines, or any other printed material.
Monospaced fonts are actively gaining popularity among designers. What is even more interesting is that the scope of their application is also expanding. The times when fonts like these were only used for coding have gone. Today monospaced fonts adorn the pages of magazines, the packages of popular brands, signs and menus, websites, and more.
To a novice designer, web fonts can seem complicated and even intimidating. But there are no reasons for despair, because over time, by studying the information and practicing, you will become a professional.
Most modern brands choose sans serifs fonts as their corporate font. Such fonts began to gain popularity almost a century ago, but still remain at their peak. Let’s find out what is so attractive about these fonts and have a look at a selection of the best sans serifs from the TypeType collection.
Today we will talk about these options: graceful and daring, friendly and brutal, dynamic and stable. These are display fonts. They are different in character and expressiveness, but always attract attention when used properly.
Modern typography offers hundreds of serif typefaces for projects of every mood and direction. Despite this, many designers are still cautious about serif fonts, afraid to make projects look outdated.
In almost any musical track where vocals play the main role, there is more than one voice part. Sometimes you don’t notice it right away, but the moments that make you get goosebumps are supplemented by another part – a tone lower or higher in order to accentuate and enhance the effect.
A harmoniously selected font not only conveys information to the audience, but also visually complements the project. A mistake in choosing a font can spoil the impression and alienate the viewer from the product, whether it be a poster, a sign for a store or cafe, product packaging, a website or an app.
TT Hoves is the youngest font in the collection of universal geometric sans serifs. It forms a functional trio with TT Norms® and TT Commons™, yet has its own recognizable character. The TT Hoves font has managed to win the sympathy of designers from all over the world. The font family has been among the studio’s bestsellers since its release on marketplaces, and yet it’s time to update the typeface!
It sometimes happens that on paper, a new font seems to be a relatively simple and quick task, but as a result of the work, it turns into one of the largest projects of recent years. Today’s story is about just such a font.