TypeType’s Year in Review: Looking Back at 2025

27/01/2026 Mis à jour le 15/05/2026

1241 6 min

TypeType’s Year in Review: Looking Back at 2025

2025 was an incredibly productive year for TypeType: we released 7 new fonts, updated 14 typefaces, and added Arabic language support to two of our bestsellers. In addition, we won awards in type design competitions, explored new platforms, improved our website, wrote about type design in our blog, gave lectures, met with you at webinars, and created joint projects with friends and partners.

Here is a look at all our changes, achievements, and plans for the future!

Fonts of the Year

Now featuring Arabic

New Fonts

TT Disruptors and TT Gentlemens: Two handwritten fonts with opposing characters: one rebellious, the other gentlemanly;
TT Marks: A decorative handwritten font in the style of old American signs;
TT Bakers: A fluid and soft serif reminiscent of fresh pastries;
TT Quaris: An exquisite modern high-contrast sans that combines elegance, mystery, and boldness;
TT Regins: A Scotch Modern serif with a royal character, high contrast, and sharp triangular serifs;
TT Turns: A vibrant geometric sans serif with expressive elements, suitable for both running text and accents.

Updated Fonts

TT Drugs: An exquisite yet serious high-contrast sans. We added a new subfamily to the typeface and expanded the variable font;
TT Ramillas: A stylish and modern serif. We increased the character set and added new stylistic sets and languages;
TT Interphases Pro: A neo-grotesque created specifically for interfaces. We added support for Greek and other languages, updated kerning and hinting, and significantly expanded the character set;
TT Norms® Pro and TT Commons™ Pro: Two universal geometric sans serifs, the studio’s bestsellers. We increased the character sets and updated the stylistic sets;
TT Ricordi Greto: A non-contrast Florentine sans serif with dynamic proportions. We added lowercase characters, new features, alternative forms, and languages;
TT Ricordi Allegria: A modern and elegant high-contrast sans. We added lowercase characters, new styles, stylistic sets, languages, and OpenType features;
TT Fellows: A universal humanist sans serif with a variable character. We expanded the character set, added stylistic alternatives, and introduced new features and languages;
TT Fors: A stylish and concise geometric sans serif with precise forms. We added more glyphs, features, stylistic alternates, and languages;
TT Modernoir: A display experimental sans serif with Art Deco elements. We added new glyphs, features, and stylistic alternates;
TT Hoves Pro: A Scandinavian sans serif with a neutral yet recognizable character. We added new glyphs and languages;
TT Moons: A high-contrast serif with narrow proportions. We expanded the character set and added new functions and variable styles;
TT Jenevers: A display Dutch serif with distinctive details. We added new glyphs, features, languages, and variable styles;
TT Severs: A geometric sans serif with unusual internal ovals. We added new functions, glyphs, and languages, as well as a variable font.

Fonts with Arabic Support

TT Commons™ Pro: We designed the Arabic version of the font in the Kufi style—it turned out very geometric, strict, and energetic;
TT Norms® Pro: The Arabic version is drawn in the Naskh style—it looks calm in the light masters and becomes more striking in the bold ones.

Plans for 2026

Release several new fonts, including experimental projects created within the TT Labs creative laboratory;
Update TT Bluescreens, TT Runs, TT Commons™ Classic, TT Rationalist, TT Nooks, TT Hazelnuts, as well as improve our bestsellers TT Supermolot Neue, TT Norms® Pro, TT Neoris, TT Commons™ Pro, TT Chocolates, TT Hoves Pro, TT Firs Neue, and add Arabic language support to some of them.

Awards in Type Competitions

D&AD Awards: Our decorative TT Biersal, with its mischievous character, won a Wood Pencil;

We have already started submitting entries for new competitions—stay tuned for updates!

How Our Website Changed

We made payment on the site more convenient by adding the Stripe payment system;
Launched the Arabic version of the site;
Made navigation clearer: updated the top menu, font navigation, and font pages;
Updated the visual components of the site: banners, forms, notifications, cart design, and checkout pages; added the ability to download trial fonts on new pages; and redesigned our emails and newsletters;
Added new sections: Services, For Agencies and Studios, Our Events, Font Pairings, Font Styles;
Launched an online chat where you can ask any questions about TypeType fonts and services.

New Articles on the TypeType Blog

« Retalic or Reversed Italic: Understanding Left-Leaning Type Design » on how retalic appeared, why it is needed, and where it can be found;
« How to Name a Font? Learning from Real Examples » on how names for typefaces are invented and what they reflect;
« On the Road: How a TypeType Font Was Tested for the Atom EV Interface » on customizing the font for Atom and testing it in action;
« Font Universe in a Bottle: How Pinot Agency and TypeType Created ‘Type Wine' » on a joint project that began with conversations over sparkling wine and grew to cosmic scale;
« UniversiTTy: Lesson 10. Designing Basic Lowercase Characters » a continuation of the « UniversiTTy » article series;
« The Best and Most Popular Fonts for Memes: How to Choose and Use Them Correctly » on the role fonts play in memes;
« A Font with a Wide Reach: A Special Project for SHIFTBRAIN’s 20th Anniversary » on developing a unique variable font capable of extreme horizontal expansion;
« The Perfect Moment Is Now: Launching Our Creative Lab, TT Labs » on « small creative » projects and their realization within a large type studio;
« Typography in the Museum: How We Developed the Corporate Typeface for the Hermitage » on how to reflect historical context in a modern font without referencing specific eras.

We regularly publish materials about fonts and type design—follow updates in our blog!

Speaking Engagements

This year we held two international webinars:

« Meet TypeType » where we told you more about who we are and what we do;
« Typeface Research » where we showed what this is and how such research helps brands.

Collaborations and Partner Projects

Held a lecture series for City Tech — New York City College of Technology.

Expanding to New Platforms

Our fonts are now available on HelloFont—a platform for the Chinese and Japanese markets.

Conclusion

Yes, 2025 was intense and complex, but insanely interesting. New fonts and projects are already on the way—stay tuned for news!

And thank you for staying with us <3

Dernières publications

Typography in the Museum: How We Developed the Corporate Typeface for the Hermitage

The TypeType team, with the support of the Mantera Group, has created a new font family for the State Hermitage Museum—the Hermitage Type Family. The typeface will be used across all of the Hermitage’s digital content; you can already see it on the website and the updated launch page of the mobile version. And this is just the beginning of a major overhaul of the museum’s digital identity, in which the new font will play a pivotal role.

Proxima Nova Font: Alternatives, Pairings, and the Secrets of Its Popularity

Proxima Nova is one of the most recognizable sans-serif fonts in modern design. In this article, we’ll explore the history of the Proxima Nova font family, its graphic characteristics and composition, figure out what fonts go with Proxima Nova, what its best alternatives are, and what license you need to use it.

The Perfect Moment Is Now: Launching Our Creative Lab, TT Labs

We spent a lot of time thinking about how to find a place for creative freedom within this system, how to set aside time for small passion projects, how to step outside our usual boundaries, and how to give spontaneity a chance. And we realized that the perfect moment will never come unless you take the first step. So we took it—and that’s how the TT Labs creative laboratory was born. Here’s the story from the beginning!

What is Typography in Graphic Design: Key Concepts, Principles, and Examples

Discover what typography is, why it’s important in design, and how to apply its main principles, styles, and rules to create visually strong text.

A Font with a Wide Reach: A Special Project for SHIFTBRAIN’s 20th Anniversary

In 2023, the Japanese marketing agency SHIFTBRAIN launched an interactive website dedicated to the company’s 20th anniversary. For this project, the TypeType team developed a unique variable font capable of stretching to extreme horizontal widths. As a foundation, we used the bestseller TT Norms® Pro, which was already the company’s corporate typeface—you can see it on the main SHIFTBRAIN website.

Pangrams Explained: Meaning, Types, Usage and Complete List of Examples

If you’re interested in design, you’ve almost certainly come across the famous sentence about the quick brown fox and the lazy dog. Or perhaps one about a jived fox nymph and a quick waltz. These are pangrams—sentences that contain all the letters of the alphabet. In this article, we’ll provide a more detailed pangram definition, explain why these phrases are so important, and provide a list of the most popular pangrams in English.

Bold Fonts: How to Use Them in Design

Font weight is a crucial characteristic that directly impacts the perception of an entire design. In this article, we’ll explore where and how to apply bold fonts, the different types that exist, and look at some examples of such fonts from the TypeType collection.

Web Font Optimization: The Key to Instant Website Loading Speed

Since fonts are a vital part of web design, proper font optimization plays a key role in ensuring your website is fast and efficient. Let’s explore why web font optimization is so crucial and what steps you can take to ensure your fonts load faster.

On the Road: How a TypeType Font Was Tested for the Atom EV Interface

Atom is Russia’s first production electric vehicle, with its release expected very soon. This vehicle’s unique interface is a true glimpse into the future, featuring augmented reality, a head-up display projected onto the windshield (AR HUD), and even a display directly in the steering wheel (SWP). It was for these specific interfaces—the SWP and AR HUD, as well as for the mobile app—that we created (or rather, customized) a font.