TT Interphases Mono

Language support

Acehnese, Afar, Afrikaans, Albanian, Aleut (lat), Alsatian, Aragonese, Arumanian, Asu, Aymara, Azerbaijan, Azerbaijani, Banjar, Basque, Belarusian (cyr), Belarusian (lat), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Bosnian (lat), Breton, Bulgarian (cyr), Buryat, Catalan, Cebuano, Chamorro, Chichewa, Chiga, Colognian, Cornish, Corsican, Cree, Croatian, Czech, Danish, Dungan, Dutch, Embu, English, Erzya, Esperanto, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gaelic, Gagauz (cyr), Gagauz (lat), Galician, Ganda, German, Gusii, Haitian Creole, Hawaiian, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Innu-aimun, Interlingua, Irish, Italian, Javanese, Jola-Fonyi, Judaeo-Spanish, Judaeo-Spanish, Kabuverdianu, Kalenjin, Kalmyk, Karachay-Balkar (lat), Karaim (cyr), Karaim (lat), Karakalpak (cyr), Karakalpak (lat), Kashubian, Kazakh (cyr), Kazakh (lat), Khasi, Khvarshi, Kinyarwanda, Kirghiz, Kirundi, Komi-Permyak, Komi-Yazva, Komi-Zyrian, Kongo, Kryashen Tatar, Kumyk, Kurdish (lat), Ladin, Latvian, Laz, Leonese, Lithuanian, Luba-Kasai, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Maori, Mauritian Creole, Minangkabau, Moldavian (cyr), Moldavian (lat), Mongolian, Montenegrin (cyr), Montenegrin (lat), Mordvin-moksha, Morisyen, Nahuatl, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Quechua, Rheto-Romance, Rohingya, Romani (cyr), Romanian, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Salar, Samburu, Samoan, Sango, Sangu, Sasak, Scots, Sena, Serbian (cyr), Serbian (lat), Seychellois Creole, Shambala, Shona, Shor, Shughni, Silesian, Slovak, Slovenian, Soga, Somali, Sorbian, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tadzhik, Tagalog, Tahitian, Taita, Talysh (cyr), Talysh (lat), Tatar Volgaic, Tatar, Teso, Tetum, Tofalar, Tok Pisin, Tongan, Touva, Tsakhur (Azerbaijan), Tsonga, Tswana, Turkish, Turkmen (cyr), Turkmen (lat), Uighur, Ukrainian, Uyghur, Uzbek (cyr), Valencian, Vastese, Vepsian, Volapük, Võro, Vunjo, Walloon, Welsh, Wolof, Xhosa, Zaza, Zulu

Team

Ivan Gladkikh — head of the project
Irina Gladkova — project manager
Pavel Emelyanov — art director, designer of the basic font
Marina Khodak — lead type designer, technical project manager
Kseniya Karataeva —type designer, author of the monospace subfamily
Nadezhda Polomoshnova — type designer, designer of the icons
Nadyr Rakhimov — type designer, technical engineer
Victor Rubenko — technical engineer, programmer, hinting specialist
Yuri Nakonechny — technical engineer, debug tester

Release date

About font family

Based on the positive experience in creating typefaces such as TT Norms Pro and TT Commons, we once came up with the ambitious idea of trying to create the perfect typeface to work in modern interfaces on most known mobile and web platforms. We took this project very seriously and, before proceeding with the design itself, we carried out rather extensive research work.

You can learn the detailed history of the typeface creation in the article by the link, and here we will tell you what we got in the end. TT Interphases consists of 22 styles: 18 styles in the basic family, 4 monospaced fonts. The main visual features of TT Interphases include the open aperture of the characters, the uniform distribution of white and black, as well as excellent readability. The general neutrality of the font pattern is not without elegance, and all the details of the typeface are made with mathematical precision and love. In addition, TT Interphases has the most advanced manual TrueType hinting.

TT Interphases Mono is a complementary family of 4 styles (2 upright and 2 oblique), each of which consists of 740+ glyphs. We intentionally changed the sign composition of the Mono subfamily—we added special characters to the encoding and removed everything that was not needed (for example, ligatures). Although Mono borrowed the basic style-forming aspects of the main family, for example, the openness of the aperture or the degree of rounding of the circles, but due to the monospace, it adds some of his own character. First of all, this difference can be found in the changed design of signs, in noticeable visual compensators, as well as in italics, whose design is made in a more humanist way.